List Books During نادي السيارات
| Original Title: | نادي السيارات |
| Edition Language: | Arabic |
| Literary Awards: | Saif Ghobash Banipal Prize Nominee for Russell Harris (2016) |
Alaa Al Aswany
Paperback | Pages: 644 pages Rating: 3.45 | 12791 Users | 1915 Reviews
Mention Appertaining To Books نادي السيارات
| Title | : | نادي السيارات |
| Author | : | Alaa Al Aswany |
| Book Format | : | Paperback |
| Book Edition | : | 1st Edition |
| Pages | : | Pages: 644 pages |
| Published | : | April 2013 by دار الشروق |
| Categories | : | Fiction. Novels. Northern Africa. Egypt. Historical. Historical Fiction. Cultural. Africa. Literature. African Literature. Egyptian Literature |
Narration To Books نادي السيارات
The story opens in present time, with a harried author organizing his first computer printout of his newest novel; suddenly, before him stand two apparitions dressed in 1940’s apparel, Kamel and Saleha Gaafar, living breathing people from his book. They have come to add more, because, "You might have written it, but we are the ones who lived it." This charming bit of magic realism introducing the novel (which we now know will be told from an unabridged, "warts and all" perspective),is reminiscent of much Arabian storytelling: the wise man, the sage, the mystic recounts that which he was told to be true. The device is a useful one in a myriad of ways; the teller may weave lessons for his audience or, avoid responsibility for the inherent "truths" in an unstable political situation, or simply bemuse the reader and ready them for many adventures, villains, heroes, lovers and a great tale. The Automobile Club of Egypt by Alaa Al Aswany fits the bill. It is an English translation of the original Arabic, written for an Egyptian public. British phrases of the era are used throughout, appropriate as the somewhat "old-fashioned" English spoken at that time. The setting is Cairo, post WWII, prior to Egypt becoming fully independent and after years of frustration with the British imposing themselves upon the country as masters and protectors. The foreign elite maintains its rigid rituals and racial bigotry, however, seeing Egyptians as useful for providing them with service - as do local royalty, especially its indulgent and frivolous King. The setting, history, culture and social attitudes seen through the eyes of this Egyptian novelist made it quite fascinating. The Gaafar family have made the move after their finances have taken a turn for the worse, and Abd El-Aziz, father and husband, gets a job working at the prestigious Automobile Club. His wife, three sons and daughter start new lives. They make new friends, experience poverty, grief. Life goes on. James Wright, a pompous Englishman who is contemptuous of Egyptians, "They're dirty, stupid, filthy, liars and thieves", is the club manager but Alku who is the palace head chamberlain has appointed himself as staff manager. While obsequious to the foreign patrons and Egyptian royalty members, Alku is a tyrant with the staff, taking their tips and meting out physical punishment for any transgression. Indirectly or directly, The Automobile Club is the wheel around which the characters and their overlapping stories turn, as the hierarchy seeks to maintain itself, the king spends and lives ostentatiously and the workers are kept submissive. Outside, nationalism is quietly growing as resentment increases while the country remains a British protectorate. Because I am not Egyptian, I don't know whether the untarnished history described and ideas generated in the novel are meant to be food for thought indirectly and slyly offered up especially to youth of Egypt, who have no memory of the novel's timeline, as they live in a radicalized political regime. After reading a number of reviews which picked this book to death (I was trying to remember why I wanted to read it!), I decided there must have been some positive ones and settled back to read. I let myself flow with the stories, the people, the foibles, their triumphs and hopes, their struggles for dignity in the most humbling conditions and their sheer stupidity, because everyone is human. I am sorry the book came to an end. Recommended for those who have a broad range of historical knowledge, an appreciation of social differences in culture, recognition of any country's vision of government as unique and an enjoyment of irony. Unless so equipped, you may miss the best of the novel otherwise.Rating Appertaining To Books نادي السيارات
Ratings: 3.45 From 12791 Users | 1915 ReviewsWeigh Up Appertaining To Books نادي السيارات
From BBC Radio 4 - Book ate Bedtime:Once a respected landowner, Abd el-Aziz Gaafar has fallen into penury and has moved his family to Cairo. He is forced into menial work at the Automobile Club, a refuge of colonial luxury and privilege for its European members.A vibrant and moving story of a family swept up by social unrest in post-War Cairo, written by Alaa Al Aswany, the internationally best-selling author of The Yacoubian Building and Chicago.Episode 2:Abd el-Aziz's wages from the AutomobileAl Aswany's use of suspense is what holds this book together, with the end of every chapter creating a hanging beam to keep the reader hanging on. Right from the beginning where the characters come to life for the author and there is the whisper of what should have been....This loose end however did not tie back once again? After the real characters ( only two of them at that) run us through the book as they would have wished their emotions expressed, then what? Did the author at the end of the
To7fa fe3lan we i enjoyed every bit of it, its 640 pagesand i read it in 2 days only couldnt stop, but the problem is the ending wasnt satisfying at all, i felt that it was cut ( mabtora) bs el wasf kan ra2e3 i felt like i was really there back in the 40s and i loved the was of the storytelling, its like each chapter is a link in a series and when it ends he starts the next chapter talking about somebody else elsewhere and u keep waiting for a few chapters to know what happened to a specific
The story opens in present time, with a harried author organizing his first computer printout of his newest novel; suddenly, before him stand two apparitions dressed in 1940s apparel, Kamel and Saleha Gaafar, living breathing people from his book. They have come to add more, because, "You might have written it, but we are the ones who lived it."This charming bit of magic realism introducing the novel (which we now know will be told from an unabridged, "warts and all" perspective),is reminiscent
I struggled with the rating for this book. I enjoyed the quirky characters and the plot overall kept my attention. But the telling of the tale seemed light-hearted for the subject matter. And the ending was far too neatly wrapped up and seemed inconsistently explored. Some characters have their happy ending. Some have endings that came out of nowhere. And we don't really have endings for others. Overall I'm glad I read it, but I wouldn't pick it up again.
I came to this book with some hesitation. It is my first contact with Arabic literature, which was unknown territory to me. And I guess that still is, since al Aswany seems to be half American, or at least has an American education. As a matter of fact, I still wonder what makes a book belong to a given literature. Is it the language? Is it the nationality of the author? Or is it the subject, the environemt? Whatever.The book is well written and catches the reader's attention since the
A good read of a troubled history.
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